Little Witch Academia is an anime series that follows the story of a young girl named Atsuko "Akko" Kagari who enrolls in Luna Nova Magical Academy to pursue her dream of becoming a witch. Throughout the series, she encounters various challenges and learns valuable lessons about friendship, determination, and the importance of believing in oneself. One of the central characters in Little Witch Academia is Professor Ursula Callistis, also known as Chariot du Nord. She is a renowned witch and a former student of Luna Nova Magical Academy. Professor Ursula becomes a mentor figure for Akko and plays a significant role in guiding her on her magical journey. Professor Ursula is known for her kindhearted nature and her magical abilities.
The Chuuni Corner
I can’t recall if I’ve talked about the Harry Potter series in-depth in the past, but, even if I did, it’s too relevant to Little Witch Academia and my own interests to leave on the wayside.
Long story short, I love that universe. Harry, Ron, and Hermione are an awesome trio of protagonists. The lore is interesting and packed with lots of details. Its premise, setting, and timeline make for a neat setup over the course of its whole run. I’ve read all the books, and I’ve seen the adapted films more times than I can count. It’s simply a world that I hold dear.
Do I put Little Witch Academia on the same pedestal personally? No, it doesn’t quite earn a special place in my heart. But what it does do regardless is craft and present an anime that’s worthy of praise all the same.
STORY
Within Little Witch Academia, the audience certainly finds magic and its usage within. However, the anime brings with it much more than just a spell or two.
Admittedly, the initial direction of the show causes worry as it treads dangerously close to repetition and a lack of creativity given the films that preceded this television project. That worry disappears, though, once the show embraces its episodic format. For, rather than always relying on the power of the Shiny Rod to ultimately save the day, many of the episodes within this first half of the season build well off the setting. A high-speed broomstick race. A reanimated undead skeleton man who cannot slow down. A bee whose sting infatuates the stung.
These individualized, slice-of-life episodes invoke the best of the anime’s comedic chops thanks to their oft crazy happenings. The wholesome atmosphere throughout also gives the show a fun feel as Akko and the gang go about trying their hardest and having a blast while doing so. Perhaps most importantly, these scenes start to add to the lore of Little Witch Academia, investing in the in-universe details that bolster the fantastical nature of their wizarding world.
Comedy and fun fill most of the narrative’s first half
Episode eleven, with the blue moon and the scary abyss, marks the show’s big shift from a comedic, slice-of-life offering to a dramatic, plot-oriented tale. Not to say that the laughs and the somewhat one-off episodes completely disappear, for they do not as evidenced by the trip to Lotte’s hometown. But, even then, the content starts to serve a larger purpose beyond only having a cheerful time with the characters.
This shift occurs most readily in the emotional drive of Little Witch Academia. Intimate exchanges, such as Diana’s ordeal and Akko’s apology to Chariot, strike at the show’s dramatic side that it kept nestled beneath its comedy. Seeing the content basically mature in this manner during its run not only generates dynamism in its delivery but also argues for a stronger writing foundation as the laughing and the crying require a tighter balance.
Parts of the second half here do not go without a couple of hiccups. For instance, Croix’s whole evil subplot doesn’t coalesce very well as it strings together as a bunch of one-off, behind-the-scenes scenes.
Worse still, Professor Ursula does not say anything to anyone about Croix despite knowing of her behavior, and she gets constantly interrupted as she attempts to explain the important details that surround the plot. These two specific factors lead to an unnatural progression in the writing as it becomes less about Akko’s journey and more about the fact that the anime refuses to let Professor Ursula talk.
To combat this corralling of the narrative, Little Witch Academia incorporates other elements that free up the structure. The major twist about Akko’s nonexistent magical abilities provides some much-needed context and truly challenges her beliefs based on the (now known) source. Plus, the Grand Triskellion being nothing more than a literal twig, a red herring of sorts, reinforces the show’s talking points that much more.
A strong theme on the “magic” within uplifts and upholds
Indeed, the anime soars highest with those points as its bigger picture reveals itself on a thematic level. Distinct motifs on words, friendships, and emotions layer the anime many times over, leading to a heartfelt theme on the “magic” that exists within everyone. A positive outlook from a positive show that is positively welcome.
Once Little Witch Academia concludes, the audience can appreciate this message and apply it to their own lives. And, having experienced the well-timed comedy and the solid drama that made up the entire project, they can also walk away knowing that they just finished a nice story, too.
ART & ANIMATION
One of the best joys of watching Little Witch Academia comes from the visuals on display.
They blend together both pretty background artistry and expressive movement. The art loves its shots that showcase a wide view of the Luna Nova school as the sun, moon, or magic stone shine overhead. And the animation takes advantage of squashing and stretching to give Akko and the other characters springy, fuller actions. Combined, they make the anime a ton of fun to watch.
Interestingly, the visuals’ generally refrain from vibrant colors and bright lenses, keeping the look and feel of Little Witch Academia in a middle zone between mundane and loud. This setup allows for the designs to do much of the talking. And talk they do. Akko’s ponytail, Lotte’s large, rounded glasses, Sucy’s phantom feet, Diana’s striped-green hair, Professor Ursula’s hip game. None of these details even get into their different changes, depending on their current outing or eventual outcome.
Not to mention Amanda’s tomboyish looks, Constanze’s utility belt, Jasminka’s pigtails, and the other professors’ shapes, standings, and even species. And everyone’s witch outfits – complete with hat, coat, and belt – finish off this whole ensemble.
Magical spectacles frequently dazzle in their majesty
Andrew’s prim-and-proper demeanor and Croix’s “futuristic” outfit continue the trend of variance as does the myriad of side characters met. Even the background people, while often sporting goofy faces, deserve appreciation if only because they aren’t just an afterthought but receive at least some attention when events go down.
The show also likes its silly faces, creating for Akko many a reaction for her to use no matter the situation. Moreover, certain sequences flaunt the magic premise as much as possible. From Vajarois’s purification to the Shiny Rod’s extravagant transformations, Little Witch Academia makes it possible to pick out specific moments that dazzle in their magical splendor.
To be fair in a critical sense, not everything goes perfectly for the visuals. They replay the same “Noctu Orfei Aude Fraetor” clip from the first episode one too many times throughout the season. Later on, some of the cuts seem to involve lots of closeups rather than capturing a whole scene or at least varying the cinematography. And, despite the intriguing world around them, they don’t really vary up the locations, going so far as to visit the Arcturus Forest on at least three separate occasions.
However, the good points far outweigh the bad ones, leaving the audience with a pleasant visual experience for pretty much the entire season.
CHARACTERS
Little Witch Academia is Akko’s journey.
She comes to Luna Nova without almost any shred of magical prowess. She essentially starts from nothing, and it’s that bottom baseline that makes her a character worth rooting for. The audience wants her to fly. The audience wants her to succeed. The audiences wants her to follow in the footsteps of her idol Shiny Chariot.
Over the course of the season, Akko doesn’t always fly, succeed, and follow, though. But that’s okay. Part of her character arc involves encountering these problems and, through failure, becoming the better for it. Chariot’s signature catchphrase spells it out: “It’s your belief in yourself that makes up your magic.” Her words are constantly repeated throughout the season, becoming a pillar for Akko’s character that the events challenge again and again. So that when she does finally triumph – be it in summoning hope or transforming into an animal for the first time ever – those moments flourish that much more.
Akko’s hardships and triumphs shape her character with ease
Akko doesn’t only experience failure; she also learns a lot about life along the way. Through her quest of unlocking the full potential of the Shiny Rod, she improves herself immensely thanks to those Seven Words. She gains patience. She respects tradition. She understands thankfulness. While she mainly seeks to become the greatest witch in the world (second only to her beloved Chariot), she simultaneously, slowly evolves into a better person overall.
Two constant traits stick with Akko throughout Little Witch Academia regardless of what she does or is doing: determination and optimism. These traits certainly help her on her own journey, but they also influence the people around her. Lotte, Sucy, and the others do not technically receive a whole lot of attention since (to reiterate) this tale is Akko’s and not theirs. However, Akko’s passion gives them the means to overcome their own problems, for she values them and their friendships much more than she cares about her own success.
Nowhere does her influence strike hardest than with Andrew, Professor Ursula, and Diana. Andrew, the son of a prominent politician, viewed witches and their magic as useless, repeating similar thoughts that others of his world have voiced as of late. By chance, however, he continually crosses paths with Akko – and so he follows an arc of sorts. The more she demonstrates courage in the face of adversity, the more his perspective changes in a positive manner.
Back in the magic world, Professor Ursula mentors Akko in her studies. She sticks up for Akko, too, like when she berates that one formal teacher for putting her down despite the small yet noticeable progress she has made. And she also guides Akko in her worded quest. Croix’s meddling spurs her into action, and their complex relationship forces her to hate herself for her own pitfalls. Regardless, Akko instills in Professor Ursula the hopes and the dreams that she had always instilled in others years prior. And, if for nothing else, she wishes to protect that “brilliance” (as she similarly quotes it) in turn.
As for Diana, Diana always butted heads with Akko (and vice versa), so they never really saw eye-to-eye. Diana, though, knew that, despite her own capabilities, Akko had a heart unlike anybody else. She experiences it personally when Akko goes completely out of her way to at first change Diana’s mind and then support her decisions, ultimately forming the close bond they now share.
Akko positively affects those around her, embodying the story’s theme
Once Akko’s journey nears its end, all these relationships reach their storied conclusions. Andrew sees magic not as a hinderance but as something worth believing in, aiding Akko in their final battle. Akko completes Chariot’s quest, telling her idol that realizes now that she must be her own great witch. And both Diana and her other friends seek out and console her when her beliefs contradict the very traits she champions, reciprocating her kindness with some of their own.
Thus, Little Witch Academia makes it clear: Akko upholds the story’s theme on the “magic” within about as perfectly as possible. She grows as a character, affects those around her for the better, and inspires the audience to do the same. The fact that she levitates on a broom ever-so-slightly by herself – and with everyone around to see it happen at that – during the last scene of the season likewise makes for a fitting finish to her thoughtful journey.
MUSIC & SOUND
A lot of the voice-acting performances in Little Witch Academia are strong in execution, yet let it be known to everyone: Megumi Han as Akko figuratively steals the show.
She becomes the underdog witch right from the very first scene of the season. The different inflections in her voice. The wide range of emotions demonstrated. The laughs, the cries, the yells, the jubilation. It doesn’t do her performance justice to simply call it “fantastic.” Arguably speaking, Ms. Han deserves the highest of praise: that no VA except her could capture the character so perfectly.
While the rest of the music and the sound cannot match up to Ms. Han’s voice acting, it tries its absolute best to do so anyway. Specifically, the original soundtrack makes a name for itself, too. It has its slice-of-life tunes and groovier pieces during downtime or charged segments.
Nobody else except Ms. Han could voice Akko
But it’s the other end that truly grabs the ear. Rousing trumpets, delicate violins, gentle wind instruments, soft piano keys, chimes, harp strings. These sounds blend together as sweeping orchestral arrangements that fit the triumphant direction of the story and coincide with the magical premise at large.
Little Witch Academia’s opening tracks fall next in line. The first OP “Shiny Ray” wins the top prize out of the two available. Its sparkly beginning leads into acoustic guitar and a steady drum beat which in turn invite violins and harmonizing to round out the track. With the strong vocals throughout, and the faint sound of a piano in the background, this OP captures the magic of the content that follows it.
By comparison, the second OP “Mind Conductor” has some cool electric guitar going for it early on. But much of the first half sounds too cluttered in its structure as the vocals, drums, and that guitar seem too out of sync. It isn’t until a bit over the halfway point that the song finally picks up steam with a more streamlined beat, background vocals, and a pronounced orchestral composition. So, while the second OP here starts off somewhat muddied, it finishes off clear and strong.
Last but not (too) least, the ending tracks bring up the rear. Once again, the first offering “Hoshi wo Todoreba” comes out ahead. The distinct bass and the outer-space noises give it a bump during the start of its playing, but, opposite to the second OP, the further along it goes, the less interesting it becomes.
“Toumei na Tsubasa,” the second ED, somewhat mirrors its sister song, but it ups the otherworldly sounds and the energy involved. It plateaus for the whole length of the track, though. It doesn’t go anywhere intriguing, and it doesn’t become a bore to listen to. It simply coasts along as a fine song and nothing more.
The first OP captures the spirit of the story
The sound-effects within Little Witch Academia do have their positives (all the wand-waving magic) and their negatives (braking broomsticks). And, again, the EDs aren’t exactly on the same level as the anime itself. However, the first OP, the grand OST, and especially Ms. Han’s VA performance as Akko keep the music and the sound from ever crashing and burning.
ENJOYMENT
I owe a lot of the happiness I got out of this show to Akko.
I’m a fan of kind, happy characters, so, from the get-go, she was already someone who I liked to follow. She was also really funny. So much so that I still quote some of her mannerisms to myself to this day (e.g., “Waku wakuuu!”, using the phonetic spelling). Her silly reactions and fierce determination to accomplish the obstacles set in her path kept the funnies going, too. And her positive attitude in general was an infectious part of her personality that I value highly.
As the episodes went along, she became kinder, funnier, and optimistic-er, placing her easily at the top of my list of favorite characters from this anime. Other favorites of mine include Diana and her interesting relationship with Akko. Professor Ursula and her guiding nature. Lotte and her plainness. Andrew and his outsider’s perspective. Amanda and her rebellious phases. Constanze and the fact that she doesn’t talk. Just an awesome bunch of cast members.
I was ambivalent towards only two characters: Croix and Sucy. I thought Croix was okay. It wasn’t until her obvious care for Chariot caused conflict in her person despite her evil intentions that I started to view her in a different light.
Akko was awesome and then some
As for Sucy, she was kind of jerk to Akko, and I wish she wasn’t. I get that her role as a Debbie Downer of sorts contrasts well with Akko’s cheerfulness. Her drug-like motif also got a chuckle out of me now and again, and she would offset her meanness with a rare kind gesture. And it’s all rather ironic in a way because my favorite episode of the series goes to episode nine, “Akko’s Adventure in Sucyworld.” It was downright hilarious, and it featured Sucy not being Sucy so much which was a big plus.
Besides the characters, I found myself getting emotional at times. Not tears or anything extreme, but I could tell that, if I let my guard down, they would escape me. I also liked the different action sequences, the individualized episodes, and the magic premise in general. And I had an immensely fun time writing about the major theme of this anime since it had ideals and thoughts that were both uplifting and worthwhile to me.
Having now completed this one and written out this review in full, I close the book on my Spring 2017 anime run. And I’m very glad that it was this show that got to have those honors.
Little Witch Academia, with a swish and a flick, conjures up a wonderful anime. Its strong thematic roots, neat visual style, purposeful cast members, orchestral music, and entertaining moments make this spell one to behold. And the lack of a lightning-bolt scar does not change this fact.
SUMMARY
Story: Good, Akko’s positive journey brings fun comedy and solid drama, and a theme on the “magic” within people soars high and far, but the second half’s writing chops lose their flow on occasion
Art & Animation: Good, lovely character designs, expressive animation, and numerous magical spectacles outweigh some of the repetitive clips, the lagging cinematography, and the low variance in background artistry
Characters: Great, Akko grows, affects, and inspires, embodying the narrative’s main theme through and through
Music & Sound: Good, Megumi Han delivers what will most likely go down as her defining VA performance, the orchestral OST triumphs ahead, the first OP captures the spirit of this adventure, but the remaining OP and the EDs cannot follow suit
Enjoyment: Great, Akko was awesome, the other characters were nice too, the action was cool, the touching times were there, it was a lot of fun to write about, and it made for a happy closer to the overall season
Final Score: 8/10
Thanks for taking the time to read my review. If you want, take part in the discussion below! :3
Little witch academia professor
The cast of Netflix’s Little Witch Academia English dub will be at Anime Expo 2019! Voice actresses Alexis Nichols, Caitlyn Elizabeth, Karen Kahler, Laura Post, Marianne Miller, and Rachelle Heger will be doing a Q&A all about the show!
Event Details
- Panel Name: Netflix Original Series Little Witch Academia
- Panel Description: Come join Sucy, Diana, Shiny Chariot, Barbara, Amanda, Croix, and Professors Ursula, Finnelan, & Lukić for a fun-filled cast Q&A about your favorite spellcasters from the 2016 Trigger Studios & Netflix Series Little Witch Academia’s English Dub!
- Date: Sunday, July 7
- Time: 10:00 – 11:00 AM
- Room: Workshop 2 / 406AB
- For information about lining up and room entry, please see the Program Room Policies
About Alexis Nichols
Alexis Nichols is an award-winning actor & voiceover talent. Her first animated feature film & TV series can be found on Netflix, where she voices three characters (Shiny Chariot, Professor Ursula, & Barbara) in the English dub of Little Witch Academia. She has recorded numerous voiceover spots including commercials for Disney’s Aulani Resort, QVC, Mercedes Benz Fashion Week, and Sesame Street’s Sesame Place Theme Park, as well as a variety of audiobooks and the help screen on current Motorola phones. She was recently nominated for a Voice Arts Award. On camera, she is most noted for appearing as Lucille Ball in Becoming Lucy at the Festival De Cannes Court Metráge. Follow Alexis on Twitter & Instagram @_AlexisNichols_.
About Caitlyn Elizabeth
Born and raised in southern Indiana, Caitlyn Elizabeth has been many things. A classical bassist, metalsmith, top hat vendor, vocalist, LARPer, video game and tech journalist, script adapter, baker, and martial artist. In Los Angeles she retains most of those titles, but predominantly works as a voice actress and Nerd On! the Podcast host.
You might’ve heard her in Little Witch Academia as Croix Meridies, Kate in Gundam Thunderbolt: Bandit Flower, Cronola in Hells, Veliche in MapleStory 2, Mecha Furia in Paladins, or in commercials across the radio, web, and TV.
About Karen Kahler
In addition to voicing Professors Finnelan and Lukić in Little Witch Academia, SoCal actor Karen Kahler is best known for her work in videogames, including roles such as Susanna in Octopath Traveler, Madame Melville and Pauline Lafleur in Ghost Giant, Oneida and FloHop in Dust: An Elysian Tail, and Justicar Trueheart, Eydis Darkbane, Alexstrasza’s Champion, and Darnassus Aspirant in Hearthstone: Heroes of Warcraft. On-camera credits include Pretty Little Liars and award-winning shorts Stem and The Isolationist. Watch for her as wry judge Jane in the upcoming web series Judgment Call.
About Laura Post
Laura Post, voice of Diana Cavendish in Little Witch Academia as well as the Voice Director for the series, is a voice actor best known for her roles as Ahri in League of Legends, Primrose in Octopath Traveler, Ragyo Kiryuin in Kill La Kill, Harley Quinn in Telltale’s Batman: The Enemy Within, and Big Barda and Circe in Justice League Action.
Other roles include Nozomi in Love Live, Blizzard in One Punch Man, Isabella in The Promised Neverland, Valentine in Skullgirls, and Queen Azshara in World of Warcraft.
You can follow Laura on Twitter and Instagram @LauraPostVoice.
About Marianne Miller
Marianne very rarely stops talking, so when she realized that she could make money off of it, she immediately leapt at the chance to do so. Marianne is a voice actress and writer, working in Los Angeles in a variety of productions, anime and otherwise. Marianne is known for her work as Mossan in FLCL: Alternative, Amanda O’Neill in Little Witch Academia and The Enchanted Parade, Kyosuke in Madoka Magica, Gloxinia in Seven Deadly Sins, Izanami in B: The Beginning, Satoshi in Anohana, Recon in Sword Art Online, Yuta in Squid Girl, Viola in Radiant Historia: Perfect Chronology, Mirina in Etrian Odyssey V, and young Kiristugu in Fate/Zero, as well as many others. When Marianne isn’t behind a mic, she can usually be found behind the scenes elsewhere in production coordination or script adaptation.
About Rachelle Heger
Rachelle Heger is a LA-based voice actress who has been a part of various video games, anime, and animated series. Born and raised in Massachusetts, Rachelle moved to the west coast to pursue voice over. Rachelle is most well known for her work as Sucy in Little Witch Academia and Little Witch Academia 2: The Enchanted Parade, Leanne in Fire Emblem: Heroes, and Miana in the Godzilla trilogy on Netflix. Other roles include Mittens in Lala Loopsy Girls, Olivia in Lego Friends, Truffles in Disney Palace Pets, Pearl in the upcoming game Undead Darlings, Gundromeda in Heroes of Newerth, and various voices in Persona 5. Rachelle has also provided additional voices for RuneStory, Persona 4: The Animation, and Kill la Kill.
In addition to voice acting, Rachelle is also a streamer. She streams various video games on her Twitch channel, twitch.tv/rachellular. As well as working in the anime industry, Rachelle has been a longtime fan of anime and video games, and loves to keep up to date on the newest titles.
Anime Expo 2019 will run from July 4 through July 7 at the Los Angeles Convention Center, with Pre-Show Night on July 3, 2019.
For more information about attending AX, check out our How to Attend guide.
Download our mobile app to stay up-to-date on announcements!
Little Witch Academia Coming Soon to PS4 & PC
Following the major popularity of the Netflix anime series, BANDAI NAMCO Entertainment and Studio Trigger are excited to bring the first ever Little Witch Academia game, Little Witch Academia: Chamber of Time coming to PS4 and PC! Join Atsuko (Akko) and her friends as they explore the world of Luna Nova Academy to discover the seven wonders and solve the mysterious shift in time!
The anime series follows Akko, a spunky, cheerful girl who dreams of becoming a witch after watching the Shiny Chariot magic show as a child. Once she enrolls in the school that the witch Shiny Chariot studied at, Luna Nova Magical Academy, she overcomes great hurdles, makes lifelong friendships, and uncovers secrets of the magical world.
Little Witch Academia: Chamber of Time takes place on the day before the students of Luna Nova Magical Academy are about to leave for summer vacation, when the students learn of a new phenomenon caused by Luna Nova’s Seven Wonders. During a trip to the school library, Akko stumbles upon one of the Seven Wonders, the Chamber of Horologium, a mysterious room that manipulates time when the chamber opens. As soon as Akko touches the clock on the chamber door, she finds herself and her friends trapped in a time loop that repeats the day before summer vacation over and over again.
Gameplay switches between two modes: Adventure mode and Side-scrolling Action Mode. Adventure Mode allows players to explore the academy’s nooks and crannies with its dynamic third-person viewpoint. Side-scrolling Action mode makes for simple yet dynamic battles against enemies and fun dungeon exploration. Utilizing both modes, players must help Akko find the key to open the Chamber of Horologium, escape the time loop, and solve the seven wonders of Luna Nova Magical Academy.
Through Little Witch Academia: Chamber of Time, players can walk the same halls as the characters from the anime that they know and love. Some featured characters include Akko’s friends, Sucy and Lotte, the press staff Joanna, Kimberly, and Wangari, mean girls Barbara Parker and Hannah England, and many more. Interact with your fellow students through performing sub-quests for them as well. From helping Lotte satisfy her love for the Night Fall series to searching for rare mushrooms with Sucy, experience daily life at Luna Nova Magical Academy!
To make the Academy experience even more immersive, players will interact with the iconic teachers from the series to help solve the mysteries of the seven wonders. Players can spend time speaking with Professor Ursula, the Magic Astronomy teacher who mentors Akko, completing sub-quests for Professor Finnelan, the strict Magic Linguistics teacher, and so much more!
Fans can explore Little Witch Academia world like never before with actual backgrounds from the anime series too! From the school’s courtyard and auditorium, to the Botanical Garden and New Moon Tower, settings have been reproduced to fully immerse players into the Little Witch world. Other settings of exploration include the classroom, cafeteria, and the student’s introduction room.
The game also introduces never-before-seen stages such as Shaula Desert, where players engage in epic battle against new enemies like Mother Ant, the queen of the desert. This boss acts as mother of all the ant tribes and raises her eggs to act as her personal army against all intruders of her realm.
Stay tuned for more details about Little Witch Academia: Chamber of Time!
Professor Ursula is known for her kindhearted nature and her magical abilities. She possesses a magical staff known as the Shiny Rod, which holds immense power. She often uses it to help Akko and her friends overcome obstacles and protect them from danger.
Throughout the series, it is revealed that Professor Ursula has a mysterious connection to Akko. It is eventually revealed that she is, in fact, Chariot du Nord, a famous performer who used to inspire Akko when she was younger. Chariot's performances were filled with magic, and she was known for her signature spell, the Shiny Arc. However, Chariot lost her magical abilities and became a professor at Luna Nova. She is haunted by her past and regrets not being able to share her magic with the world. However, through her interactions with Akko, she realizes that magic is not just about power and performance but about the genuine passion and belief in oneself. As the series progresses, Professor Ursula becomes an integral part of Akko's journey and helps her unlock her own magical potential. She teaches Akko valuable lessons about perseverance, finding one's own path, and the true meaning of magic. Overall, Professor Ursula is an important character in Little Witch Academia, and her interactions with Akko contribute to the development of the story and the growth of the main protagonist. Her guidance and support serve as a beacon of hope for Akko and inspire her to never give up on her dreams..
Reviews for "Little Witch Academia Professor: A Role Model for Aspiring Witches"
1. John - 2/5 - I was really looking forward to "Little Witch Academia: Professor" as a fan of the original series. However, I was left disappointed. The plot felt weak and disjointed, and the characters lacked depth. Additionally, the animation was not up to par with the previous installments. Overall, it felt like a rushed and uninspired addition to the franchise.
2. Sarah - 3/5 - "Little Witch Academia: Professor" had its moments, but it failed to capture the magic of the earlier films and series. The pacing was inconsistent, with slow and repetitive scenes that dragged on. I also found the new characters introduced to be underdeveloped and rather one-dimensional. Overall, it was an average addition to the franchise that didn't live up to its potential.
3. Michael - 2/5 - As a long-time fan of "Little Witch Academia," I had high hopes for "Professor." Unfortunately, I found the storyline to be convoluted and confusing. The introduction of too many new characters took away from the charm of the original series and the lack of character development left me uninvested. Additionally, the animation quality was noticeably lower. Overall, "Little Witch Academia: Professor" was a disappointment that failed to capture the essence of the original story.