Dear reader, Today, we delve into the mysterious world of witches. The term "witch" often evokes images of a sinister woman dressed in black, stirring a cauldron full of potions and casting spells. However, the concept of witches is more nuanced and varied than the stereotypes would have us believe. The word "witch" originates from the Old English word "wicce," which means "wise woman." In ancient times, witches were seen as healers, wise women who possessed deep knowledge of herbs, natural remedies, and the cycles of nature. They were respected members of their communities, sought out for their healing abilities and their wisdom.
The ability to use magic is passed down through blood. Any human who can use magic begins their training as a novice. Whether or not they seek a higher rank, they are known in as Mages. Novices must take the magic exams and earn the corsage to become an apprentice witch, the rank below "witch". For unknown reasons, women naturally have greater magical ability than men, hence why only women can attain ranks higher than a novice.
From the parables of Jesus, we learn that the religious leaders not only frustrated their nation s purpose but also killed those who were trying to fulfill it. By anchoring the title of his autobiography on the Bible, Museveni hopes to create an intellectual space whereby the readers may view him as the sower who sows the seed of democracy in Uganda.
They were respected members of their communities, sought out for their healing abilities and their wisdom. However, as societal beliefs and norms changed, so too did the perception of witches. In the Middle Ages, the fear of witchcraft swept across Europe, leading to the infamous witch trials.
Literature, Linguistics and Foreign Languages
There has been an intense debate with regards to Chinua Achebe's (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated. more
There has been an intense debate with regards to Chinua Achebe's (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated women to the periphery. Nevertheless, a few have read subtle nuances of gender balance in his works. This paper is a continuation of this debate. Specifically, it argues that Achebe has created Mother Archetypes in his novels and if the same is not recognized, he will continue to be demonized as a gender insensitive writer. The unit of analysis is three of the five Achebe's novels namely: Things Fall Apart, No Longer at Ease, and A Man of the People. The paper interrogates the aforementioned novels within the framework of archetypal criticism, with the aim of unearthing and examining Mother Archetypes inherent in them. The paper identifies religion, education, and justice as the spheres of life in which Achebe has created, empowered and elevated Mo.
This study is a gender appraisal that employs the nneka principle to explore literary creation of mother archetype with focus on one of the world's renowned prolific writers and literary critics of African origin: Chinua Achebe. The. more
This study is a gender appraisal that employs the nneka principle to explore literary creation of mother archetype with focus on one of the world's renowned prolific writers and literary critics of African origin: Chinua Achebe. The study identifies patterns and critically analyses mother archetypes in Achebe's three novels: Things Fall Apart (TFA:1958), No Longer at Ease (NLAE:1960), and A Man of the People (AMGP:1966). Anthills of the Savannah (AGS:1987) is introduced in ultimate chapter to augment the argument that its main character, Beatrice, marks the culmination of Achebe's strong women series. This study argues that, by looking at the consistent successful accomplishments of women as they steer important roles in the society such as education, religion and justice, nneka principle comes into focus as the enabling factor. The thesis hinges on the fact that not much has been done on mother archetypes in Achebe's texts rather critics have considered all women ch.
There has been an intense debate with regards to Chinua Achebe’s (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated women. more
There has been an intense debate with regards to Chinua Achebe’s (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated women to the periphery. Nevertheless, a few have read subtle nuances of gender balance in his works. This paper is a continuation of this debate. Specifically, it argues that Achebe has created Mother Archetypes in his novels and if the same is not recognized, he will continue to be demonized as a gender insensitive writer. The unit of analysis is three of the five Achebe’s novels namely: Things Fall Apart, No Longer at Ease, and A Man of the People. The paper interrogates the aforementioned novels within the framework of archetypal criticism, with the aim of unearthing and examining Mother Archetypes inherent in them. The paper identifies religion, education, and justice as the spheres of life in which Achebe has created, empowered and elevated Mother Arc.
Identity is a contested construct grounded in various narratives such as history.As a result of that, it appears to have stable and fixed borders. However, characters with multiple identities cross their borders in different contexts to. more
Identity is a contested construct grounded in various narratives such as history.As a result of that, it appears to have stable and fixed borders. However, characters with multiple identities cross their borders in different contexts to co exist hence disavowing the assumed fixity. This study used exploratory research design to explain it's findings. Data analysis and presentation was guided by tenets of the theory of nationalism: primordialism, instrumentalism and constructivism by Earnest Gellner(1964) and structuralist film theory by Leo Kulleshov(1920).
This paper explains the construction of ethnic and national difference using physical traits and the national identity card in selected films. It argues that identity is a fluid construct that is manipulated for different ends. This study. more
This paper explains the construction of ethnic and national difference using physical traits and the national identity card in selected films. It argues that identity is a fluid construct that is manipulated for different ends. This study was guided by tenets of the theory of nationalism: primordialism; instrumentalism and constructivism by Ernest Gellner (1964) and structuralist film theory by Leo Kuleshov (1920).The study arrived at the following findings: Through primordialism, the study found out that the Hutu construct their nation using physical traits and the national identity card. Nevertheless, the study concluded that identity is a fluid construct that keeps refashioning in different contexts as seen in the border crossings in the films where Hutu characters cross their ethnic borders and protect the Tutsi during the genocide.
Witchcraft is defined as the use of magical powers for healing, seeing into the future, causing harm or for religion. The belief in the powers of witchcraft is widespread in Africa. Due to these perceived magical powers people from. more
Witchcraft is defined as the use of magical powers for healing, seeing into the future, causing harm or for religion. The belief in the powers of witchcraft is widespread in Africa. Due to these perceived magical powers people from different walks of life seek for various forms of treatments from witchdoctors. As such, witchcraft in Africa is a trade complete with a marked use of language that sustains in in modern society. This article reports on an analysis of language used by witchdoctors in Machakos County in Kenya, and respondents’ views about witchcraft. The objectives of the study were twofold. One was to identify and describe the language strategies that mark witchcraft as trade. The second objective was to explore the socio-psychological factors governing the use of the language by witchdoctors. Two witchdoctors were purposively sampled: one male and one female. The primary data were collected through recorded interviews of the witchdoctors. It was found that the witchdoc.
The Incheon Declaration 2015- “Towards 2030: a new vision for education,” recognizes the important role of education as the main driver of development, and therefore commits to “ensure inclusive and equitable quality education and promote. more
The Incheon Declaration 2015- “Towards 2030: a new vision for education,” recognizes the important role of education as the main driver of development, and therefore commits to “ensure inclusive and equitable quality education and promote life-long learning opportunities for all(p. i).” The declaration further commits to “ensuring that all youth and adults, especially girls and women, achieve relevant and recognized functional literacy and numeracy levels and acquire life skills and that they are provided with adult learning and training opportunities (p. 7).”” This commitment is a clear recognition of the role of adult education in development. Sadly, although adult education and lifelong learning are key for achieving social change and reducing poverty levels, the sector receives minimal attention in development matters in many African countries. According to UNESCO the adult education sub-sector of state education systems remains relatively underfunded and marginal despite the.
The United Nations High Commissioner for Refugees (UNHCR) and other humanitarian organisations now categorize the provision of education in emergencies as a humanitarian response to disaster. However, the very nature of an emergency. more
The United Nations High Commissioner for Refugees (UNHCR) and other humanitarian organisations now categorize the provision of education in emergencies as a humanitarian response to disaster. However, the very nature of an emergency situation makes the provision of education a daunting task. When entire populations are displaced and forced to live in camps as refugees in a host country, they are unlikely to have access to the physical infrastructure and other resources required for education, especially higher education. An innovative way of availing higher education opportunities to refugee populations is through distance education programmes, particularly those delivered through online e-learning platforms. As universities continue to embrace the role of humanitarian actors, they are increasingly recognizing that distance education programmes, more so e-learning ones, have the potential of reaching a wider population of refugees, enabling them access to education without requiring.
Functional writing is an important skill since it involves writing for real life purposes. It should fit the intended purpose, audience and context. Despite the centrality of this form of writing, it has been performed dismally in the. more
Functional writing is an important skill since it involves writing for real life purposes. It should fit the intended purpose, audience and context. Despite the centrality of this form of writing, it has been performed dismally in the Kenya Certificate of Secondary Examination every year. In a bid to understand the nature of the problem, this paper attempts an evaluation of the general presentation of skills of writing the letter of application and the report in form three and four approved English course books. Qualitative data sets were collected by administering interview schedules to teachers from three best performing public secondary schools in Nairobi County and four editors of English course books in four publishing firms. To complement qualitative data, quantitative data was collected using a checklist. Twelve form three and four English course books approved by the Kenya Institute of Curriculum Development were selected as a study sample. The form three and form four appro.
It is unanimously accepted that independence did not deliver the African masses from the burden of life-insuffering.It is thus necessary to persist in the attempts to elucidate those murky aspects of the colonial past and postcolonial. more
It is unanimously accepted that independence did not deliver the African masses from the burden of life-insuffering.It is thus necessary to persist in the attempts to elucidate those murky aspects of the colonial past and postcolonial present which may resolve the conundrum of failed independence. This paper intervenes in this undertaking by endeavouring to examine the mind-work of the leaders who steered the nationalist project and determined to a large extent its outcome. This mind-work, which crucially involves the nationalist leaders’ understanding and representation of their own selves, finds expression in their writings. This paper, therefore, concerns itself with the representation by East African nationalist leaders of their identities in their writings, selves that are at marked variance with their true inner core, the ghost within. In their writings, they focus their energy and attention on concealing their ambition-deformed personalities behind the masks of the positive self identities they construct. In the resultant hide-and-seek game with their peoples, the opportunity for selfless leadership and genuine service to nation-building is lost. Constructivist research methodology will be used in the study.
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by ANTONY SOMBA and +1
This paper discusses the speeches of the late Jomo Kenyatta, founding President of the Republic of Kenya. It focuses on one of the books that Kenyatta wrote Suffering without Bitterness and interrogates how he uses this literary text to. more
This paper discusses the speeches of the late Jomo Kenyatta, founding President of the Republic of Kenya. It focuses on one of the books that Kenyatta wrote Suffering without Bitterness and interrogates how he uses this literary text to navigate against the prevailing representations of him to construct his identities that portray him as a nationalist leader. The paper proceeds from the understanding that literature envoices the human person and subjectivises him. It constitutes an ideal arena for the subject's intense mental work and of his revealing of himself to the world. This paper argues that it is in Kenyatta's text that he constructs his identities. Suffering without Bitterness contains a great deal of knowledge regarding Kenyatta's character insofar as it applies to the contemporary Kenyan reality. In particular, this paper argues that from Suffering without Bitterness we acquire a great deal of knowledge concerning the processes of Kenyatta's identity formation insofar as it relates to the way he constructs his sense of self and relate it to his circumstances. It will be recalled that it is primarily on the basis of the frames of reference that we possess as individuals, or authors, that we are able to asses and make sense out of our circumstances. We construct our identities on the basis of our differential relationships with one another, on the basis of which we delineate a " space " that possesses attributes that are different from all other entities in the universe and are, therefore, unique.
This paper discusses the speeches of the late Jomo Kenyatta, founding President of the Republic of Kenya. It focuses on one of the books that Kenyatta wrote Suffering without Bitterness and interrogates how he uses this literary text to. more
This paper discusses the speeches of the late Jomo Kenyatta, founding President of the Republic of Kenya. It focuses on one of the books that Kenyatta wrote Suffering without Bitterness and interrogates how he uses this literary text to navigate against the prevailing representations of him to construct his identities that portray him as a nationalist leader. The paper proceeds from the understanding that literature envoices the human person and subjectivises him. It constitutes an ideal arena for the subject's intense mental work and of his revealing of himself to the world. This paper argues that it is in Kenyatta's text that he constructs his identities. Suffering without Bitterness contains a great deal of knowledge regarding Kenyatta's character insofar as it applies to the contemporary Kenyan reality. In particular, this paper argues that from Suffering without Bitterness we acquire a great deal of knowledge concerning the processes of Kenyatta's identity formation insofar as it relates to the way he constructs his sense of self and relate it to his circumstances. It will be recalled that it is primarily on the basis of the frames of reference that we possess as individuals, or authors, that we are able to asses and make sense out of our circumstances. We construct our identities on the basis of our differential relationships with one another, on the basis of which we delineate a " space " that possesses attributes that are different from all other entities in the universe and are, therefore, unique.
This paper discusses Yoweri Museveni's Sowing the Mustard Seed and argues that he uses this literary text to construct identities of him as a nationalist leader. In his autobiography he guides the reader to approach it, not as a scheme to. more
This paper discusses Yoweri Museveni's Sowing the Mustard Seed and argues that he uses this literary text to construct identities of him as a nationalist leader. In his autobiography he guides the reader to approach it, not as a scheme to glorify himself, but as an insight into true leadership. However, this paper reveals that Museveni is the quintessential politician determined to retain power using any means available to him, including likening himself to Jesus Christ, the fêted sower. The paper argues, Sowing the Mustard Seed, is Museveni's scheme to hold onto power. It hinges on the thinking that Museveni's rereading of Fanon is faulty and malicious. Although he draws from Biblical parables and imagery, this paper hints that Museveni's seed might have fallen on rocks and arguably has failed to sprout. He fictionalizes Ugandan history in his autobiography through the use of several stylistic devices to portray himself as a Che Guevera of Uganda, a revolutionary saviour of a dilapidated state. Museveni conceptualises democracy in Uganda through the parable of the mustard seed. By anchoring the title of his autobiography on the Bible, Museveni hopes to create an intellectual space whereby the readers may view him as the sower who sows the seed of democracy in Uganda. 1. Introduction This paper discusses Museveni's use of Biblical parable in conceptualizing the advent and growth of democracy in an almost ruined state of Uganda. A state that had undergone thirty years of civil strife. This paper argues that, Museveni aims to be perceived as the sower, hence constructing for himself a hallowed identity, that of Jesus Christ. Jesus' stories, also called parables, were illustrations that used something familiar to help listeners understand something new. This method of teaching compelled listeners to discover truth for themselves. The message got through only to those who were willing to listen and learn. Israel, pictured as a vineyard, was the nation that God had cultivated to bring salvation to the world. From the parables of Jesus, we learn that the religious leaders not only frustrated their nation's purpose but also killed those who were trying to fulfill it. They were so jealous and possessive that they ignored the welfare of the very people they were supposed to be bringing to God. The concept of " seed " is brought by Jesus to portray himself as the true sower, a leader concerned with ensuring love, salvation, goodness and other adorable virtues abound among people. In the parable, Jesus portrays the Jewish religious leaders as scrupulous, ineptitude, morally corrupt and base, incapable of planting the seed. In Mark 4: 30-32 he reports: How can I describe the kingdom of God? What story should I use to illustrate it? It is like a tiny mustard seed. Though this is one of the smallest of seeds, it grows to become one of the largest of the largest of plants, with long branches where birds can come and find shelter…. Here, the seed stands for the kingdom of Heaven, a place of pure bliss. Museveni's choice of the title of his autobiography " Sowing the Mustard Seed " therefore is illuminative on how he wants to be understood. The title suggests that he is the only one to bring the kingdom of Heaven to Uganda by building a peaceful country where peace and love abound. Again, Jesus, in Mark 4: 3-8 he reports: Listen! A farmer went out to plant some seed. As he scattered it across his field, some seed fell on the footpath, and the birds came and ate it. Other seed fell on shallow soil with underlying rock. The seed sprung up quickly but it soon wilted beneath the hot sun and died because the roots had no nourishment in the shallow soil. Other seed fell among thorns that shot up and choked out the tender blades so that it produced no grain. Still others fell on fertile soil and produced a crop that was thirty, sixty, and even hundred times as much as had been planted… Anchoring his autobiography on the above parable, Museveni comes out of the pages of his autobiography as a true sower, just like Jesus Christ the fêted sower. Having come to power in the mid-1980s, a period which seemed to have brought into being a " new breed " of African leadership, Museveni gave the impression that he was dynamic, determined, development-minded, progressive, and willing to break discredited predecessors' taboos (Mujaju, 1997; Leymarie, 1997: 2). Museveni had to banish the archaic and exclusionary modes of governance, corruption and economic mismanagement, and the manifestly discriminatory and
The United Nations High Commissioner for Refugees (UNHCR) and other humanitarian organisations now categorize the provision of education in emergencies as a humanitarian response to disaster. However, the very nature of an emergency situation makes the provision of education a daunting task. When entire populations are displaced and forced to live in camps as refugees in a host country, they are unlikely to have access to the physical infrastructure and other resources required for education, especially higher education. An innovative way of availing higher education opportunities to refugee populations is through distance education programmes, particularly those delivered through online e-learning platforms. As universities continue to embrace the role of humanitarian actors, they are increasingly recognizing that distance education programmes, more so e-learning ones, have the potential of reaching a wider population of refugees, enabling them access to education without requiring.
During this period, any woman suspected of practicing witchcraft, often based on flimsy evidence or mere superstition, was subject to interrogation, torture, and execution. The image of the wicked witch, with her broomstick, pointed hat, and malevolent cackling, gained popularity during this dark period. It is important to note that witchcraft, as commonly understood, does not exist. Witchcraft is often associated with sorcery and black magic, but it is primarily a spiritual practice focused on harnessing the power of nature and the elements. In recent years, there has been a resurgence of interest in witchcraft. Many individuals, primarily women, are reclaiming the term "witch" and embracing it as a symbol of empowerment and spirituality. Modern witches often engage in practices like tarot card reading, crystal healing, and meditation, seeking to connect with their own intuition, the natural world, and spiritual energies. It is essential to remember that witchcraft, like any religious or spiritual practice, varies widely among individuals. While some embrace neo-pagan traditions, others draw inspiration from various spiritual teachings and adapt them to their own beliefs. Ultimately, the practice of witchcraft is personal and can take many forms, allowing individuals to explore their spirituality and find meaning in the world around them. In conclusion, the concept of witches is much more multifaceted than the stereotypes would suggest. From healers and wise women to the victims of persecution, witches have occupied various roles throughout history. Today, witches are individuals who seek connection, empowerment, and spiritual fulfillment. The image of a witch is no longer solely associated with darkness and evil but has become a symbol of personal power and spiritual exploration. Sincerely, [Your Name].
Reviews for "Exploring the Wonders of Astral Projection as a Witch for Nlae"
1. Samantha - 1 star
I was really disappointed with "Witch for Nlae." The story felt incredibly repetitive and the characters were flat and uninteresting. The writing itself lacked depth and emotion, making it hard for me to connect with the story. Additionally, the pacing was slow and the plot was predictable. Overall, I found the book to be a chore to get through and I wouldn't recommend it.
2. John - 2 stars
"Witch for Nlae" had an intriguing premise, but it failed to live up to its potential. The world-building was lacking and I found myself struggling to understand the magic system in the book. The main character was also difficult to root for as she made questionable decisions throughout the story. The romance felt forced and lacked chemistry. While the ending did tie up loose ends, it didn't feel satisfying. Overall, I felt let down by this book and wouldn't read anything else by this author.
3. Emily - 2 stars
I had high hopes for "Witch for Nlae," but I found myself disappointed by the execution. The writing was overly simplistic and lacked complexity. The dialogue felt unnatural and stilted. I also felt that the character development was lacking, making it hard for me to connect with the protagonist. The plot was predictable and lacked any surprises. Overall, I found the book to be underwhelming and wouldn't recommend it to others.
4. Kevin - 3 stars
"Witch for Nlae" had a promising concept, but it fell short in execution. The pacing was slow and it took a while for the story to get going. The world-building was also lacking, leaving many questions unanswered. Additionally, the dialogue felt awkward and forced, making it difficult for me to immerse myself in the story. However, the book did have some redeeming qualities, such as interesting side characters and a unique magic system. While it wasn't a complete disappointment, I wouldn't go out of my way to recommend it either.