The Witch King, also known as the Lord of the Nazgûl, is a powerful and feared character in J.R.R. Tolkien's Middle-earth legendarium. He is often depicted as a dark and malevolent figure, symbolizing evil and corruption. His appearance is that of a tall and imposing figure, clad in black armor and a tattered cape.

Anna Popplewell: Susan Pevensie

Susan Pevensie : [about Lucy] She thinks she's found a magical land. In the upstairs wardrobe. Professor Kirke : [eyes widening, he rushes to the children] What did you say? Peter Pevensie : Um, the wardrobe. Upstairs. Lucy thinks she's found a forest inside. Susan Pevensie : She won't stop going on about it. Professor Kirke : What was it like? Susan Pevensie : Like talking to a lunatic. Professor Kirke : No, no, no. Not her, the forest! Susan Pevensie : [stares] You're not saying you believe her? Professor Kirke : You don't? Susan Pevensie : But, of course not. I mean, logically it's impossible. Professor Kirke : What do they teach in schools these days?

Susan Pevensie : Gastrovascular. Come on, Peter. Gastrovascular. Peter Pevensie : Is it Latin? Susan Pevensie : Yes. Edmund Pevensie : Is it Latin for "worst game ever invented"? [Susan shuts her dictionary] Lucy Pevensie : We could play hide and seek? Peter Pevensie : But, we're already having so much fun. [looks at Susan]

Mr. Beaver : When Adam's Flesh and Adam's bone sits at Cair Paravel in throne, the evil time will be over and done. Susan Pevensie : You know that doesn't really rhyme.

Peter Pevensie : He said he knows the faun. Susan Pevensie : He's a beaver, he shouldn't be saying anything!

Professor Kirke : You seem to have upset the delicate internal balance of my housekeeper. Peter Pevensie : We're very sorry, sir, it won't happen again. Susan Pevensie : It's our sister, sir. Lucy. Professor Kirke : The weeping girl? Susan Pevensie : Yes, sir. She's upset. Professor Kirke : Hence the weeping.

Lucy Pevensie : It's all right! I'm back! I'm all right! Edmund Pevensie : Shut up! He's coming! Peter Pevensie : You know, I'm not sure you two have quite got the idea of this game. Lucy Pevensie : Weren't you wondering where I was? Edmund Pevensie : That's the point. That was why he was seeking you! Susan Pevensie : Does this mean I win? Peter Pevensie : I don't think Lucy wants to play anymore.

Lucy Pevensie : The sheets feel scratchy. Susan Pevensie : Wars don't last forever, Lucy. We'll be home soon. Edmund Pevensie : Yeah. If home is still there Susan Pevensie : Isn't it time you're in bed? Edmund Pevensie : [to Susan] Yes mum! Peter Pevensie : Ed! You saw the outside. This place is huge. We can do whatever we want here. Tomorrow's gonna be great. Really.

Susan Pevensie : I'm just trying to be realistic! Peter Pevensie : No, you're trying to be smart, as usual!

Peter Pevensie : Maybe we could call to the police. Susan Pevensie : [waving Maugrim's parchment] These ARE the police!

Susan Pevensie : [to Peter] Look, just because some man in a red coat hands you a sword it doesn't make you a hero!

Susan Pevensie : The professor knew we were coming. Edmund Pevensie : Perhaps we've been incorrectly labeled.

Peter Pevensie : I think you've made a mistake. We're not heroes! Susan Pevensie : We're from Finchley!

Susan Pevensie : Besides, we could all use the fresh air. Edmund Pevensie : It's not like there isn't air inside.

Susan Pevensie : Thank you for your hospitality, but we really have to go. Mr. Beaver : Oh, you can't just leave. Lucy Pevensie : He's right. We have to help Mr. Tumnus.

Susan Pevensie

Katherine Suchet (Focus on the Family radio theatre)
Abigail Docherty (BBC Radio 4, LWW)
Susie Hay (BBC Radio 4, Prince Caspian)
Shelley Crowhurst (1979 animation, UK)
Susan Sokol (1979 animation, US)
Adult:
Sally Ann Burnett (Focus on the Family radio theatre)
Deborah Berlin (BBC Radio 4, HHB)

Queen Susan Pevensie (1928-?) was the second-born of the Pevensie children (after Peter), and was the eldest sister. She was known to the Narnians as Queen Susan the Gentle, and was known to be logical (to the point of being stubborn sometimes), motherly, and more serious than her younger sister, Lucy.

During her reign at the Narnian capital of Cair Paravel, she was also known as Queen Susan of the Horn.

His appearance is that of a tall and imposing figure, clad in black armor and a tattered cape. He wears a crown, representing his status as the leader of the Nazgûl, and wields a terrifying weapon known as a mace. His face is hidden beneath a terrifying helmet, obscuring his true identity.

Contents

• 1 Biography
  • 1.1 Childhood
  • 1.2 The Winter Rebellion
  • 1.3 Golden Age of Narnia
  • 1.4 1940-1941
  • 1.5 War of Deliverance
  • 1.6 1941-1949
  • 2.1 Christian meanings
  

  The Witch King's physical appearance reflects his role as the embodiment of evil and fear. His black armor serves as a visual representation of his corrupt and wicked nature, while his imposing stature adds to the aura of power and dominance surrounding him. The tattered cape further enhances his ominous presence, creating an ethereal and otherworldly effect. The crown worn by the Witch King signifies his authority and importance among the Nazgûl. As their leader, he wears this symbol of power to assert his control over his subjects and to strike fear into the hearts of his enemies. The crown is often depicted as twisted and jagged, mirroring the twisted and corrupted nature of the Witch King himself. The Witch King's weapon of choice, the mace, is a heavy and brutal weapon that he wields with deadly proficiency. This choice of weapon further emphasizes his strength and ferocity in battle. The mace is often depicted as a formidable and ominous weapon, capable of causing devastating damage to his opponents. The Witch King's helmet is perhaps the most iconic and recognizable aspect of his depiction. It is typically portrayed as a fearsome and terrifying design, with dark eye slits and sharp, jagged edges. This helmet serves to hide the Witch King's true identity, adding to the mystery and menace surrounding him. The hidden face leaves his opponents guessing and instills a sense of fear and uncertainty. Overall, the depiction of the Witch King is one that is meant to inspire fear and awe. From his dark and imposing armor to his terrifying helmet and formidable weapon, everything about him is designed to instill a sense of dread in those who encounter him. He is a character shrouded in mystery and darkness, representing the very essence of evil in Tolkien's rich and sprawling mythology..

  Reviews for "The Witch King: How His Depiction Evolved from Early Drafts to Final Versions"

  1. David - 2 stars

  I was highly disappointed with the depiction of the Witch King in this movie. As a big fan of the original books, I had imagined a terrifying, formidable figure that would strike fear into the hearts of even the bravest heroes. However, what I got was a watered-down, underwhelming version of the character. The CGI effects used to create the Witch King were lackluster, and the actor's performance felt wooden and unconvincing. Overall, I felt let down by the filmmakers' portrayal of such an iconic Tolkien villain.

  2. Emily - 3 stars

  While the Witch King depiction in this film wasn't the worst I've seen, it definitely fell short of my expectations. The costume design and makeup were well done, but the overall characterization and development of the character were lacking. There wasn't enough depth to the Witch King's motivations and backstory, and it felt like a missed opportunity to explore a more complex and interesting villain. Additionally, the special effects used to showcase the Witch King's powers seemed exaggerated and out of place. Overall, I found the character's depiction to be average at best.

  3. Michael - 2.5 stars

  The Witch King in this movie was a major letdown. After building up his character throughout the series, I was expecting a grand, memorable portrayal. Instead, the filmmakers gave us a weak, one-dimensional villain. The decisions made for his character's arc felt forced and contrived, and his dialogues were forgettable and lacking in depth. The battle scenes involving the Witch King were also underwhelming, with the CGI effects failing to create a sense of awe or fear. Overall, I was disappointed with how the Witch King was portrayed in this film.

  4. Sarah - 2 stars

  I was really looking forward to seeing the Witch King brought to life on the big screen, but unfortunately, the portrayal in this movie fell short. The actor's performance felt flat and uninspired, lacking the intensity and gravitas that I had imagined for such an iconic villain. The makeup and costume design were decent, but the lack of character development and meaningful dialogues made the Witch King feel like just another generic bad guy. In the end, I was left feeling disappointed and unsatisfied with how this character was depicted.

  The Witch King: His Influence on Other Fantasy Villain Archetypes