Obsidian hued felines, also known as black cats, have long been associated with various superstitions and beliefs, including those related to voodoo traditions. For centuries, these mysterious creatures have been feared, revered, and even worshiped in different cultures around the world. In voodoo practices, black cats are considered to possess spiritual powers and are believed to be mediators between the physical and spiritual realms. Their dark coat is seen as a symbol of protection, warding off evil spirits and negative energies. It is believed that the presence of a black cat can bring good luck, prosperity, and spiritual guidance. The association between black cats and voodoo can be traced back to the African diaspora and the blending of various religious practices during the slave trade.
"The Illustrated Directory of Healing Crystals" by Cassandra Eason
In the task of weapon-making, it coincides with Obsidian s ability both physically and metaphysically to cut to the chase and swiftly slice directly through to the core of an issue, as we hunt for that which will spiritually sustain us. It can ease aches and pains, lessen phobias and relieve stress, depression or grief, and can generally bring clarity to the cause of a disease while working to dismantle it.
The association between black cats and voodoo can be traced back to the African diaspora and the blending of various religious practices during the slave trade. The merging of African traditions with European folklore and Catholicism gave rise to the syncretic belief system of voodoo, which incorporates elements of animism, spirit worship, and ancestor reverence. In voodoo rituals and ceremonies, dolls, or as they are commonly known, voodoo dolls, play a significant role.
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As the weakened Sun begins to slide into its long seasonal sleep here in the Northern Hemisphere, there is no better stone than Obsidian to accompany us through the spectral nights of Autumn and protect and guide us through the trials of Winter!
A lustrous rock, rich in silica and born of volcanic origin, Obsidian is a type of natural glass, formed when lava is rapidly cooled. It can be found all over the world wherever volcanic activity has occurred, but most notable deposits are located in Obsidian Cliffs, Wyoming, and in Utah, Nevada, Arizona and California in the U.S., and Mexico, Italy, Iceland and Scotland worldwide.
Obsidian's color is most often a vitreous (glassy) jet black or very dark brown which is due to Iron and Magnesium inclusions, but it can also be found in dark green or gray. Small naturally rounded water-tumbled pieces that often exhibit conchoidal markings are called Apache Tears, named after a sorrowful event when Apache tribe women wept at the base of the cliff that their husbands had been driven over to their death during an ambush. It is said that whoever carries the Apache Tears stone will never know deep sorrow, for it has been wept for them already.
Other colors of Obsidian can occur when small bubbles of air become trapped within Obsidian's layers just before cooling. In this case it can create what is known as Sheen Obsidian - these can be in hues of red (containing Hematite), blue, purple, gold, or even a full rainbow sheen.
Obsidian containing small white inclusions of Cristobalite is called Snowflake Obsidian. Larger pieces of Obsidian appear opaque, but thinner specimens show that it is actually translucent when held up to the light. The word "obsidian" derives from the Latin "obsidianus," a misprint of "obsianus (lapis). According to Pliny, the stone was named after the prominent ancient Roman, Obsius, who was credited with finding it in what is now Ethiopia.
Apache Tears - Sheen Obsidian - Snowflake Obsidian
Obsidian is of Granite or Rhyolite composition and has the same chemical formula as Quartz, but lacks any crystalline structure and is amorphous, thus registering only a medium hardness of 5 to 5.5 on the Mohs Scale. For this reason and because it can be shaped easily, it was often used by Native Americans to make arrowheads and spear points, for when broken or cut, it has a razor-sharp edge. Prior to that, artifacts reveal it was used during the Stone Age to make knives and other tools. Incas utilized it for constructing weapons, mirrors, masks and jewelry, while the Mayans once carved idols of their god Tetzcatlipoca from this veritable black beauty. Incidentally, the name Tetzcatlipoca means "shining mirror," so Obsidian was likely beloved by or chosen to mimic the god's attributes. The Mayans also used polished Obsidian as "magic mirrors", a divining tool.
"Obsidian is effective when carried or used in protective rituals. One involves surrounding a white candle with four Obsidian arrowheads that each point to one of the directions. This sets up aggressive energies which guard the place in which it is set up."
"Cunningham's Encyclopedia of Crystal, Gem & Metal Magic" by Scott Cunningham
Many considered this useful stone to be a powerful talisman that enhanced psychic ability, and many a Shaman used it in ritual along with carrying it on their person. Later in time, black Obsidian was much sought after for use as scrying mirrors. During the Elizabethan Era, the famous magician, alchemist, mathematician and astrologer, Dr. John Dee, is said to have utilized an Obsidian scrying mirror.
This was the mirror used by the Elizabethan mathematician, astrologer and magician, Dr. John Dee (1527-1608). Together with a small smoky quartz crystal ball (also known as a shew-stone), these are just a few of the many polished, translucent and reflective objects that he used as tools for his occult research. Those shown above are on display at the British Museum in London.
As we look to Autumn and begin preparing for Winter - the time of deep reflection - Obsidian can be of great help within our inner sanctum and in showing us just what is possible. As a scrying tool and because of its deep mirroring ability, this shiny Fire and Earth stone is known as the "Stone of Prophecy" and is excellent for peering into its depths to detect the past, present and future. But it wasn't simply the dark and mysterious reflective physical characteristics of Obsidian that made it one of the better surfaces for gazing into; this stone is also rich in metaphysical wonders. Not only is it known to enhance clairvoyance by promoting acute awareness of what needs fixing, it provides clear guidance on much needed remedies. It is also an excellent stone for grounding, meditation and protection, and provides a strong shield against all forms of negativity. It will even transform an area or situation into a more positive one. It cools anger and frustration while at the same time creating the impetus for change.
For physical healing, Obsidian has been known to dissolve blockages and banish stagnation of any kind. It can ease aches and pains, lessen phobias and relieve stress, depression or grief, and can generally bring clarity to the cause of a disease while working to dismantle it. Whatever it is used for, Obsidian can be counted on to be a very blunt and to-the-point stone. It increases one's psychic ability, making it appear even stronger in the answers it provides. It has the uncanny and sometimes unsettling ability to dig deep into the shadows, bringing forth great insight and knowledge, both personal and worldly on things which could and should be made better. Obsidian is like a truth serum; you will not be able to delude yourself when in its presence. This volcanic stone can cut the ties that bind. It is a projective stone, and its ruling planet is Saturn.
I would say the ancients knew what they were doing. For, beyond their practical uses of the stone. in the task of mask-making, it can be seen as Obsidian's power to shield and protect us as we take the journey within. In the task of weapon-making, it coincides with Obsidian's ability (both physically and metaphysically) to cut to the chase and swiftly slice directly through to the core of an issue, as we hunt for that which will spiritually sustain us. As a tool and divining device, it blends with Obsidian's usefulness in allowing us greater access to the Ancestors, the spirit world and Akashic records.
This Mabon, and beyond, let the depths of the Obsidian mirror give back to you what wisdom awaits to be found!
"Stones Alive!" by Twintreess
"The Illustrated Directory of Healing Crystals" by Cassandra Eason
First published in The Controversial Cauldron - the group newsletter of Email Witches
September 2009 � Patricia J. Martin
First published in The Controversial Cauldron - the group newsletter of Email Witches
These dolls are often crafted to represent individuals and are used in rituals to influence and manipulate their fate. The belief is that by using the doll, one can connect with the spiritual realm and exert control or bring harm to the person it represents. The connection between black cats and voodoo dolls lies in their shared mystical symbolism. Both are believed to possess the ability to channel spiritual energy and serve as conduits between the physical and spiritual realms. The cat's black coat and the doll's representation of an individual make them powerful symbols of connection and manipulation. It is important to note that the association between black cats, voodoo traditions, and dolls is often misunderstood and misrepresented. These beliefs and practices are deeply rooted in cultural and spiritual traditions that should be approached with respect and open-mindedness. In conclusion, the obsidian hue of felines, commonly referred to as black cats, has long been associated with various superstitions and beliefs, particularly within voodoo traditions. These mystical creatures are seen as mediators between the physical and spiritual realms, possessing spiritual powers and protection against negative energies. The connection between black cats and voodoo practices is further strengthened by the use of dolls in rituals, which are believed to have the power to influence and manipulate individuals. However, it is crucial to approach these beliefs and practices with understanding and respect for their cultural significance..
Reviews for "The Mystical Bond between Black Cats and Voodoo Rituals"
1. - Emma - 2/5 stars
Although I appreciate the effort put into creating this collection of obsidian hued felines and voodoo dolls, I just couldn't connect with it. The whole theme felt unsettling and gave off negative vibes. The dolls associated with voodoo traditions were particularly unsettling, and I found it difficult to look at them without feeling a sense of discomfort. Overall, this collection just wasn't my cup of tea.
2. - James - 1/5 stars
I have to say, "Obsidian hued felines and dolls associated with voodoo traditions" was a complete disappointment. The concept seemed interesting, but the execution fell flat. The dolls were poorly made and lacked any real artistic value. Furthermore, the choice of using obsidian black color for the felines only made them appear eerie and sinister. It was not an enjoyable experience viewing this exhibit, and I would not recommend it to anyone looking for a pleasant and uplifting art display.
3. - Sarah - 2/5 stars
I can appreciate the attempt to explore unconventional themes in art, but "Obsidian hued felines and dolls associated with voodoo traditions" missed the mark for me. The use of dark colors and voodoo dolls gave a sense of unease rather than intrigue. I found it hard to connect with the artwork and left the exhibit feeling slightly disturbed. While I understand that art is subjective, this particular collection didn't resonate with me personally.