Pastel witch Twitter has become a popular trend on social media platforms, especially among the online witch community. It combines the aesthetics of pastel colors with witchcraft and spirituality. This unique blend creates a visually pleasing and ethereal online presence for those who identify as pastel witches. One of the key characteristics of pastel witch Twitter is the use of soft and delicate colors. Pastel shades like lavender, baby blue, mint green, and pale pink are often used in profile pictures, banners, and overall theme. These colors give the account a dreamy and whimsical vibe, which aligns with the idea of pastel witchcraft.
It doesn’t appear that he’s doing that, as he videos himself in what looks like a dressing tent on a set. The question is how is it possible that he is filming himself? He wakes up in a chair and turns around to film himself passed out in a chair! What kind of magic is this, and how does he know these strange secrets of the universe?
After eight failed attempts to find the musician s card, it was a magic fist bump that finally revealed the ace of hearts to everyone s shock, including Jennifer Lawrence. In Disney and Pixar s new animated adventure Onward , two teenage elf brothers voices of Tom Holland and Chris Pratt try using a magic spell to resurrect their late father for 24 hours.
These colors give the account a dreamy and whimsical vibe, which aligns with the idea of pastel witchcraft. In terms of content, pastel witch Twitter accounts often share posts related to witchcraft, paganism, tarot readings, crystals, and other mystical practices. However, the focus is not only on the magical aspects but also on emphasizing femininity, self-care, and positivity.
‘Onward’ review: When a Pixar family reunion with Chris Pratt, Tom Holland goes half-right
A manic, moderately diverting babysitter of a Pixar movie, “Onward” does gets there by the end — “there” being the place where the freneticism recedes, the main characters’ emotional setbacks and defenses crumble and the audience is encouraged, by every possible storytelling mechanism, to cry along with the teenaged brothers voiced by Tom Holland and Chris Pratt.
The world of “Onward” has lost meaningful contact with its exotic historical past filled with dragons, dungeons, wizards and spells. Life has been gentrified and tamed. The human-like elves we meet include tender, shy Ian Lightfoot and his brash older sibling, Barley. Their father died before Ian was born. The boys and their mother, Laurel, live in the pleasantly conformist-minded town of New Mushroomton, whose residents include centaurs, merpeople, pixies and garbage-scavenging unicorns. It’s a mashup of Middle-earth, a sanitized edition of “Game of Thrones” and the role-playing wonderland of Barley’s favorite game, Quests of Yore.
AdvertisementBarley Lightfoot, voiced by Chris Pratt, appears in a scene from "Onward." (Pixar/AP)
For Ian’s 16th birthday, Laurel presents the boys with a pre-arranged gift: a magical spell-casting wooden staff able to bring their late father back from the dead for a single day. It works, almost: Dad returns from the waist down only, unable to see or hear but pretty slick with the dance moves. For kids whose fathers are only half-there in reality, “Onward” may register in more than one way.
The rest of the antsy plot finds Ian and Barley on a deadline hunt for a precious “Phoenix stone” (ripped off from somewhere in the Marvel Cinematic Universe, apparently) to complete the spell. En route there are police to elude, including mom’s officer boyfriend, and a dragon to vanquish. Also there is a brief reference to a lesbian officer’s girlfriend. I mention this so as not to trigger the homophobes in the film’s potential audience, who prefer yesteryear to the more accepting, inclusive hell we’re living in now.
AdvertisementDoes it work? It’s one busy movie, though without much variety in its rhythm or much breathing room in its perils. Director and co-writer Dan Scanlon was the chief creative force behind my least favorite Pixar feature to date, “Monsters University,” and while he’s genuinely interested in the mood swings, self-esteem challenges and everyday humiliations of young kids as they navigate through the world, the setbacks and arguments here grow wearying.
Without breaking any new ground, the animation itself certainly holds up its end of the bargain. Pratt in particular finds what laughs there are to be had with Barley, whose life revolves around his beat-up Econoline-type van named Guinevere. (“This has been the world’s longest gap year,” says his mother in passing, voiced just so by Julia Louis-Dreyfus.) Octavia Spencer gives it the sauce as a half-lion, part-scorpion, part comic relief manticore, whose inner beast is dying slowly, by degrees, in her job managing a Medieval Times-esque theme restaurant.
Is it a matter of narrative over-complication that keeps “Onward” from being better? Not really: My favorite Pixar movie, “Ratatouille,” is practically insane in its zigzags and its central premise of a rat becoming a gourmet chef. But something’s off with the dad element in “Onward." Screenwriters Scanlon, Jason Headley and Keith Bunin keep reminding us of the spell-casting deadline, and of the reason the boys are going through all this mayhem. They have to remind us, otherwise we’d forget.
Like Disney’s billion-dollar smash “Frozen,” Pixar’s “Onward” invests heavily and, in the end, smartly in a sibling relationship that’s not always easy. That part works, in the nick of time. But the storyline’s internal competition and emphasis on DreamWorks-style action sequences sell that theme short. I liked the movie all right. It’s just that "all right” shouldn’t be the goal here.
“Onward” — 2.5 stars
MPAA rating: PG (for action/peril and some mild thematic elements)
Running time: 1:42
Opens: Thursday evening
AdvertisementMichael Phillips is a Tribune critic.
Without breaking any new ground, the animation itself certainly holds up its end of the bargain. Pratt in particular finds what laughs there are to be had with Barley, whose life revolves around his beat-up Econoline-type van named Guinevere. (“This has been the world’s longest gap year,” says his mother in passing, voiced just so by Julia Louis-Dreyfus.) Octavia Spencer gives it the sauce as a half-lion, part-scorpion, part comic relief manticore, whose inner beast is dying slowly, by degrees, in her job managing a Medieval Times-esque theme restaurant.
Many pastel witch Twitter users aim to create a safe and inclusive space where individuals can express themselves and share their experiences. The aesthetic aspect plays a crucial role in pastel witch Twitter. Apart from the color scheme, accounts often include images or illustrations of crystals, flowers, celestial objects, and other magical symbols. These visuals contribute to the overall enchanting atmosphere and help create a calming and soothing experience for followers. Pastel witch Twitter is more than just an aesthetic trend; it represents a community of individuals who are drawn to the mystical side of life. It allows people to explore their spirituality and connect with like-minded individuals from around the world. By combining pastel aesthetics with witchcraft, this trend has created a unique and enchanting corner on the internet for those seeking a softer, more whimsical approach to magic..
Reviews for "Introducing Pastel Witch Twitter: Where Magic Meets Softness and Dreaminess"
- Sarah - 1/5 stars - I found "Pastel witch twitter" to be incredibly dull and unoriginal. The characters were shallow and lacked depth, and the plot was predictable. I was hoping for a unique and engaging story, but instead, I found myself bored and uninterested. Overall, I would not recommend "Pastel witch twitter" to anyone looking for a captivating read.
- Michael - 2/5 stars - While "Pastel witch twitter" had an interesting premise, I was disappointed with the execution. The writing style was lackluster and lacked the necessary descriptive elements to fully immerse me in the story. Additionally, the pacing felt off, with slow moments that dragged on and failed to hold my attention. Overall, I didn't find "Pastel witch twitter" to be as enjoyable as I had hoped it would be.
- Emily - 2.5/5 stars - "Pastel witch twitter" started off promising, but I found myself losing interest as the story progressed. The characters felt one-dimensional, and their actions and motivations were not well-developed. The dialogue also felt forced and unnatural, which made it difficult for me to connect with the story on a deeper level. While the concept was intriguing, the execution left much to be desired.