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‘Magic of Christmas’ lives up to its name
Members of the Young Americans perform during the group's show “The Magic of Christmas” at La Mirada Theatre for the Performing Arts.
The Young Americans will be giving nine performances of “The Magic of Christmas” at La Mirada Theatre for the Performing Arts.
Members of the Young Americans perform during the group's show “The Magic of Christmas,” at La Mirada Theatre for the Performing Arts through Dec. 21.
Members of the Young Americans perform during the group's show “The Magic of Christmas.”Dancers perform onstage during the Young Americans' holiday show “The Magic of Christmas” at La Mirada Theatre for the Performing Arts.
Otho Womack performs a solo during “The Magic of Christmas” at La Mirada Theatre for the Performing Arts.
“The Magic of Christmas” features a number of large-scale production numbers performed by the Young Americans.
The Young Americans' holiday show “The Magic of Christmas” is at the La Mirada Theatre for the Performing Arts through Dec. 21.
The 250-member Young Americans perform at La Mirada Theatre for the Performing Arts.Members of the Young Americans perform in snowfall in a scene from their holiday show “The Magic of Christmas,” at La Mirrada Theatre for the Performing Arts through Dec. 21.
Show Caption December 14, 2014 at 11:55 a.m.The 52-year history of the Young Americans is a storied one that could easily fill the space meant for this review.
Suffice it to say that it’s a success story of a non-profit organization dedicated to singing that has grown in size and scope from regional to national, with global outreach to dozens of nations.
Christmas is the only time of year when all of the various Young Americans sub-groups combine into one cast, for the performance of YA’s annual show, “The Magic of Christmas.”
Held this year at La Mirada Theatre for the Performing Arts, the show is a socko yuletide extravaganza featuring a huge cast of 250 that moves in and out of more than 30 scene changes and dozens of costumes. They’re backed by several huge, 45-foot-high LED “wall” screens used to produce amazingly bright backgrounds and visuals, many of which are animated.
In case you’re unfamiliar with the Young Americans, all are in their late teens to early 20s, and whether individually or en masse, they sing and dance in every conceivable musical style and genre. Their talent, musicality, energy and heart are unquestionable.
The selections range from classical music (”The Nutcracker,” The “Hallelujah” Chorus) to pop holiday songs (“Frosty the Snowman,” “Let It Snow”) and Christmas carols. Among the more than 45 musical numbers, you’ll also hear jazz, swing, big band, and a versatile sampling of rock ’n’ roll (’50s through 2000s). The dizzying number of composers and songwriters represented includes Irving Berlin, Victor Herbert, Johnny Marks, Handel and Tchaikovsky.
Broadway and movie music aren’t overlooked, and an extended rock segment includes an all-stops-out, vibrant Motown (dubbed “Snowtown”) medley; hip-hop and surf music; and segments that are both accurate impersonations, but also parodies, of boy bands like Boyz II Men and New Kids on the Block, furnished with all-new lyrics by YA. Also with new lyrics: “Jingle, Jive and Wail” and “Sing, Sing, Sing.”
“Magic of Christmas” was first conceived and performed by YA founder Milton C. Anderson in the late 1980s with a cast of roughly 30. It has since grown eight-fold, with the current edition directed and partly created by longtime YA singer Bill Brawley and choreographed by his wife, Robyn Brawley.
Giving the show its professional sheen are LED wall graphic designer TJ Stoltz, set and lighting designer Don Strom, costume designer Tara Smart Stoltz and sound designer Nick Cimino.
The hallmark of “Magic of Christmas” is the almost inexhaustible energy and enthusiasm of the show’s huge cast, which includes many YA “alumni” who have gone on to become professional singers.
Notable performers include vocalists Adam Brown, Jessica Caravella, Adrian Castanon, Carley Congdon, J’Lin Jordan, Alissa Klein, Jordan Mantey, Mike Martinez, Quiana McElroy, Jiana Odland, Kayla Sampson, Kiara Sampson, Kristina Sampson, Mariah Strickland, Nick Townsend, Otha Womack and Michael Wordly, and dancers Rachel Caron, Erin Cole and J.R. Gooseberry.
All of the show’s scenes, visuals, songs and dance numbers are cleverly conceived and expertly executed. Highlights include a ski lodge/Holiday Inn segement; a nightclub medley that briefly spotlights nine different soloists; a funk/rap version of “The Little Drummer Boy”; and a toy shop medley that includes “Toyland,” Dr. Seuss and the movie “Frozen.”
“March of the Penguins” starts with five dancing penguins, but soon the stage is filled with them. Eight sexy young ladies play Santa’s dancing reindeer, joined by a four-legged, tap-dancing, red-nosed Rudolph. Two-dozen white-clad ballerinas dance “The Nutcracker” and the Pink Panther (don’t ask!) cavorts with 24 Santas.
Most hilariously incongruous and outré of all, 12 “babies” – adult faces framed by baby bodies, their “legs” created by the arms and hands of 12 more performers – who’re convinced Santa will overlook them because “I’m Gettin’ Nuttin’ for Christmas.”
That latter image typifies the show’s unlimited imagination. With director Brawley’s fluid staging and Gary Delk’s conducting from the pit, the music moves from raucous and rowdy numbers to soft, reverent ones without ever missing a beat.
The grand finale unfolds in a church featuring more than 120 singers in a Christmas choir setting singing “Jesu Joy,” “Ave Maria,” “O Holy Night” and “For Unto Us a Child Is Born.” A choral version of Three Dog Night’s “Joy to the World” morphs into jazzy rock, then an explosive gospel production number.
The encore is a soft, heartfelt rendition of “Silent Night” – a wholly apt closing. “The Magic of Christmas” is not to be missed. If you can see only one musical this holiday season, make it this one.
The Young Americans will be giving nine performances of “The Magic of Christmas” at La Mirada Theatre for the Performing Arts.
Additionally, the seat offers a comfortable and cushioned ride, ensuring that your child enjoys their journey. What makes this car seat magical is its ability to seamlessly transform into different modes. It can be converted from a rear-facing car seat for infants to a forward-facing one for older children. Furthermore, it can be adjusted into a booster seat for when your child has outgrown the car seat stage. The Magic Beans Convertible Car Seat is designed with convenience in mind. It features a simple installation process, allowing parents to quickly and easily install and remove the seat as needed. This makes it ideal for families who frequently switch the car seat between vehicles. Safety is of utmost importance when it comes to car seats, and the Magic Beans Convertible Car Seat does not disappoint. It meets and exceeds the highest safety standards, ensuring that your child is protected while on the road. In conclusion, the Magic Beans Convertible Car Seat offers a magical and convenient solution for parents. Its adaptability, comfort, and safety features make it a practical and desirable choice. With this innovative car seat, parents can enjoy peace of mind knowing that their child is secure and comfortable during every car ride..
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