Witchy Fashion for Thick Thighs: Dressing with Style and Comfort

Thick thighs and witch vibes are two concepts that have gained popularity in recent years. Both are associated with body positivity and embracing one's individuality. Thick thighs, in particular, have become a popular trend in the beauty and fashion industry. Traditionally, thin and slender legs were considered the ideal, but the rise of body positivity has challenged these beauty standards. Thick thighs have come to symbolize strength, confidence, and a celebration of one's unique body shape. Many people now proudly embrace their thick thighs and reject the notion that beauty is limited to a specific body type.

For years, animation mavens have been debating whether Pixar or Ghibli was the more gifted animation studio, which was a fairly abstract argument when the techniques were different. But now that the latter has produced its first fully CG feature, there’s just no comparison. “Earwig” is inferior on nearly every level, looking barely better than a small-screen special (which, admittedly, it is, having been commissioned for and broadcast on Japanese network NHK on Dec. 30, 2020). But it’s the storytelling that feels most anemic.

One thing Earwig has going for it is the musical component, opening as it does with her mom singing original number Don t Disturb Me as she races down the highway. Many of her earlier children s books were out of print in recent years, but have now been re-issued for the young audience whose interest in fantasy and reading was spurred by Harry Potter.

Many people now proudly embrace their thick thighs and reject the notion that beauty is limited to a specific body type. On the other hand, witch vibes have become a popular aesthetic and lifestyle choice. The witch vibe is associated with a strong, independent woman who is in tune with nature and her own power.

Earwig and the Witch

Most orphanages are horrible, but Earwig has a surprising amount of power over everyone at St Morwald’s Home for Children, and loves it there. The last thing she wants is to be adopted by the very strange Bella Yaga, demon-attended Mandrake, and talking black cat Thomas. Earwig wants to learn magic, but will need all her ingenuity and help from a familiar to survive. Expressive big eyes, twisty mouths, on stick figures flesh out the characters, action, and ravens and spiders adorn the margins.

Genres FantasyChildrensMiddle GradeFictionMagicWitchesHumor

140 pages, Hardcover

First published June 1, 2011

About the author

Diana Wynne Jones

Diana was born in London, the daughter of Marjorie (née Jackson) and Richard Aneurin Jones, both of whom were teachers. When war was announced, shortly after her fifth birthday, she was evacuated to Wales, and thereafter moved several times, including periods in Coniston Water, in York, and back in London. In 1943 her family finally settled in Thaxted, Essex, where her parents worked running an educational conference centre. There, Jones and her two younger sisters Isobel (later Professor Isobel Armstrong, the literary critic) and Ursula (later an actress and a children's writer) spent a childhood left chiefly to their own devices. After attending the Friends School Saffron Walden, she studied English at St Anne's College in Oxford, where she attended lectures by both C. S. Lewis and J. R. R. Tolkien before graduating in 1956. In the same year she married John Burrow, a scholar of medieval literature, with whom she had three sons, Richard, Michael and Colin. After a brief period in London, in 1957 the couple returned to Oxford, where they stayed until moving to Bristol in 1976.

According to her autobiography, Jones decided she was an atheist when she was a child.

Jones started writing during the mid-1960s "mostly to keep my sanity", when the youngest of her three children was about two years old and the family lived in a house owned by an Oxford college. Beside the children, she felt harried by the crises of adults in the household: a sick husband, a mother-in-law, a sister, and a friend with daughter. Her first book was a novel for adults published by Macmillan in 1970, entitled Changeover. It originated as the British Empire was divesting colonies; she recalled in 2004 that it had "seemed like every month, we would hear that yet another small island or tiny country had been granted independence."Changeover is set in a fictional African colony during transition, and begins as a memo about the problem of how to "mark changeover" ceremonially is misunderstood to be about the threat of a terrorist named Mark Changeover. It is a farce with a large cast of characters, featuring government, police, and army bureaucracies; sex, politics, and news. In 1965, when Rhodesia declared independence unilaterally (one of the last colonies and not tiny), "I felt as if the book were coming true as I wrote it."

Jones' books range from amusing slapstick situations to sharp social observation (Changeover is both), to witty parody of literary forms. Foremost amongst the latter are The Tough Guide To Fantasyland, and its fictional companion-pieces Dark Lord of Derkholm (1998) and Year of the Griffin (2000), which provide a merciless (though not unaffectionate) critique of formulaic sword-and-sorcery epics.

The Harry Potter books are frequently compared to the works of Diana Wynne Jones. Many of her earlier children's books were out of print in recent years, but have now been re-issued for the young audience whose interest in fantasy and reading was spurred by Harry Potter.

Jones' works are also compared to those of Robin McKinley and Neil Gaiman. She was friends with both McKinley and Gaiman, and Jones and Gaiman are fans of each other's work; she dedicated her 1993 novel Hexwood to him after something he said in conversation inspired a key part of the plot. Gaiman had already dedicated his 1991 four-part comic book mini-series The Books of Magic to "four witches", of whom Jones was one.

For Charmed Life, the first Chrestomanci novel, Jones won the 1978 Guardian Children's Fiction Prize, a once-in-a-lifetime award by The Guardian newspaper that is judged by a panel of children's writers. Three times she was a commended runner-up[a] for the Carnegie Medal from the Library Association, recognising the year's best children's book: for Dogsbody (1975), Charmed Life (1977), and the fourth Chrestomanci book The Lives of Christopher Chant (1988). She won the Mythopoeic Fantasy Award, children's section, in 1996 for The Crown of Dalemark.

This concept draws inspiration from mythology, folklore, and witchcraft. It emphasizes the idea of being in touch with one's intuition, mystical energies, and the natural world. Thick thighs and witch vibes are often intertwined. This connection arises from the idea that embracing one's body and individuality is an empowering act, just like embracing a witchy persona. Both concepts challenge societal norms and promote self-acceptance. The internet and social media platforms have played a significant role in popularizing these concepts. Hashtags such as #thickthighs and #witchvibes are widely used to share experiences and empower individuals. Consequently, the visibility of these trends has helped create communities where people can feel accepted and inspired. In conclusion, thick thighs and witch vibes represent movements of self-acceptance, body positivity, and empowerment. They encourage individuals to embrace their unique attributes, be proud of who they are, and reject outdated beauty standards. These concepts have gained popularity due to their ability to resonate with a wide range of people seeking to express their individuality and find a sense of belonging in today's society..

Reviews for "Thick Thighs and Witchy Tattoos: Expressing Your Unique Identity"

1. Stephanie - 2 stars:

I was initially intrigued by the title "Thick thighs and witch vibes" as it sounded like a unique and empowering read. However, I was disappointed with the overall content of the book. The writing style felt disjointed and lacked coherence, making it difficult to follow the storyline. Additionally, the characters were poorly developed, and I found it hard to connect with any of them. Overall, I was left feeling unsatisfied and would not recommend this book to others.

2. Michael - 1 star:

"Thick thighs and witch vibes" was a complete letdown for me. I hoped to explore the themes of body positivity and witchcraft in a modern context, but instead, I found a shallow and clichéd portrayal of both. The characters lacked depth and the plot was predictable, leaving me unengaged throughout the book. Although the concept had potential, the execution fell flat, and I would not recommend this book to anyone.

3. Emily - 2 stars:

I had high hopes for "Thick thighs and witch vibes" but unfortunately, it did not live up to my expectations. The story lacked originality and seemed to rely on overused tropes and stereotypes. The protagonist, who I assumed would be a strong and empowered character, turned out to be one-dimensional and uninspiring. The writing itself was also lackluster, lacking the depth and nuance needed to truly captivate the reader. Overall, I found this book to be mediocre at best and would not recommend it to others.

4. Benjamin - 1 star:

I struggled to finish "Thick thighs and witch vibes" as the story failed to hold my attention. The plot felt disjointed and convoluted, making it difficult to follow the narrative. Additionally, the characters lacked depth and their interactions felt forced. Overall, I found this book to be unoriginal and uninspiring, and I would not recommend it to readers looking for a compelling and engaging read.

Rocking Witch Vibes with Thick Thighs: Tips from Witchy Influencers